Bio

Christina The, Queen of the Night’s aria from Mozart’s The Magic Flute .. great flexibility at great speed and a very high tessitura, soaring up to F6, was well handled by The, who poured much emotion into her performance.” 

– Australian Concerto & Vocal Competition 2016, Critique’s Review.

2018 was an exciting season for Singapore-based light-lyric coloratura soprano Christina The.

The year has seen her performing in concerts at Carnegie Hall, at the Mozarteum in Salzburg, and her debut as Queen of the Night in Mozart’s The Magic Flute at the National Opera Centre in New York.

A Master graduate and a Licentiate of the prestigious Royal Academy of Music in London, United Kingdom, Christina has undergone further artistic and technical training in the world’s leading music institutions famous for their rigorous and exacting demands, including at: the Accademia Musicale Chigiana, Siena, Italy; the Academie de Musique Tibor Varga, Sion, Switzerland; and at Mirella Freni’s Centro Universale di Bel Canto, as well as intensive courses in Hamburg Conservatory and Royal College of Music.

Christina was the Artist-in-Residence of New Opera Singapore (2017-2018).

She won top prizes at numerous international competitions such as Australian Concerto and Vocal Competition (Open Vocal, 2nd prize, 2016), IMKA Competition (Open Opera category, 1st Prize, 2018), Salzburg Grand Prize Virtuoso (Open Vocal, 1st Prize, 2018), American Protégé International Vocal Competition (Opera Aria, 2nd Prize, 2018), Golden Classical Music Awards (1st Prize, 2018), and is a finalist of Osaka International Music Competition (2018). Christina also received an Honourable Mention at Berlin’s Rising Star Grand Prix (2019).

Classically trained in ballet since childhood, Christina has always loved the theatre. After making her switch from Finance into opera singing, Christina began her operatic career at the Singapore Lyric Opera as Zweite Dame in Die Zauberflöte, where she was privileged to work with acclaimed director Justin Way (currently associate Director of the Metropolitan Opera).

Her stage repertoire has since include Sister Constance in New Opera Singapore’s production of Dialogues of the Carmelites at the Victoria Theatre for the opera’s national premiere in Singapore; a double role of Amore and Valletto in L’incoronazione di Poppea; the actress Poussette in Massenet’s Manon; the nymph Najade in Strauss’ Ariadne auf Naxos for its West Australian modern premiere; and the title role of the forever young fairy Iolanthe in Gilbert & Sullivan Society’s West Australian production of Iolanthe.

On the corporate stage her name is synonymous with luxury brands which she sings for selected occassions.

As a versatile concert soloist and recitalist, she has performed in Europe, Australia, Singapore, and Indonesia.

She has appeared on major Indonesian and Singapore national TV and radios. In Indonesia she recorded with Warner Music Indonesia, collaborating with Melly Goeslaw on a soundtrack of the film HEART, titled ‘Kehilangan’.

A performance highlight in her birth country was to sing for the President at Indonesia’s National Stadium in Senayan, Jakarta.

Her music mentor is Jolanta Nagajek, a Polish-Australian former principal mezzo-soprano of Opera Australia with an illustrious career spanning over 20 years. Christina attributes her Queen of the Night to Jolanta’s guidance.

Christina looks forward to continuing her pursuit of delivering high calibre performances to audiences in the region and beyond. 

(Bio as at December 2018)